The Commandments Of Love. Little Richard. 1967. Okeh.
Flamboyance is a stylized form of provocation that presents itself as one of beauty’s many proxies, intimidating and surreal. Affording her customary, invaluable perspective, Flannery O’Connor was quoted, saying, “Whenever I’m asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one…it is when the freak can be sensed as a figure for our essential displacement that he attains some depth in literature.” The same, obviously, can be said about the freak’s place in rock and roll. Our most flamboyant performers—from Jerry Lee Lewis and Janis Joplin to Ozzy Osbourne and Prince—often went to veritably comic lengths to reflect the grotesquerie of our passions, parodying our struggles with expression, and, most importantly, eradicating our fantasies of self-importance, replaced on the rock and roll stage with unadorned humanity, the essence of which remains with us despite the prevalence of less talented ...