Burning A Hole In My Mind. Connie Smith. 1967. RCA Victor.
The subjective experience of perfection in popular music only came about with the introduction of the 45 rpm single in 1949 by RCA Victor. We’re told from a young age that there isn’t anything that is perfect so when we are witness to perfection, we’re dazzled and captivated, and, developed world capitalists that we are, we must somehow possess it. Produced by Bob Ferguson, Connie Smith’s Burning A Hole In My Mind isn’t only a minor Nashville Sound masterpiece, but, it, like any perfect work, pushes against genre conventions while simultaneously capturing the mood of the era with Smith’s genuine feel for expressing mid-60s ersatz sophistication in the manner of her pop romantic peers Dusty Springfield, Dionne Warwick, Sandie Shaw. Though Smith doesn’t sing with the dynamism of those stalwarts, the strength of her vocal charm is readily apparent; perfection isn’t the absence of flaws, but their organization into a cohesive narrative. One crucial element holding this perfection in ...