All Your Love. Otis Rush. 1969. Chess.
After hearing the 1959 Cobra Records version of Otis Rush’s All Your Love, you’ll never again doubt the sexual indomitability of the working class. The recording is vicious, recorded when Rush was only twenty four. He’d arrived in Chicago from Mississippi roughly a decade earlier, and you can hear in the record’s overly amplified production just how deeply urban living had influenced him. The saxophones especially, by Harold Ashby and Jackie Brenston, signify with raucous command that passage through youth when you’ve leaped aboard the carousel of multiple-partner sex and you can feel it begin to spin out of control but you’ve grown attached to the recklessness and vice so you allow yourself just one more go which becomes another string of assignations. Rush re-recorded the song for Chess two years later with another band. This new version is considerably more polished than the original, the tone more plaintive, mysterious. It’s as if the possibility of a large, commercial audien...